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Exploitation movies have been a part of the motion picture industry since its earliest days. The term "exploitation movie" initially referred to any film that required exploitation or ballyhoo over and above the usual posters, trailers, and newspaper advertising. But by the s it referred specifically to low-budget movies that emphasized sex, violence, or some other form of spectacle in favor over coherent narrative.

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Nazis, fast cars, zombies, bikers - you name it, they are all featured prominently in this s exploitation film list. These films were made with a lower budget, and aimed to produce pure, high-octane entertainment. Some films on this list transcended their B-movie status and became cultural touchstones.

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This is a start-off point for people who are new to these kinds of films and find themselves confused by the sheer overwhelming number of them. This page will provide an easy general introduction and a number of tips on films you should watch. This page is also ideal for those who want to make sure they know the basics and are just interested in learning more.

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Exploitation cinema is not a genre; it is an industry with a specific mode of production. Exploitation films are made cheap for easy profit. The exploitation film is not a genre, and yet it is often described as such. Evidently, these can mainly be put down to the mode of production.

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Friedman and Harry Novak, many of the subjects that set the benchmark for cinema's startling transformation in the Me Decade would have been impossible to broach. Sure, there are a few dull, derivative drive-in labors to be waded through, movies that barely deserve to stand alongside the mangled masterworks by the format's addled artists. But they too represent an important element in the overall development of the medium.

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Exploitation films have always been seen as the sleazy underbelly of cinema. They have been looked down upon by critics and have never received the recognition they deserve. They are undervalued for the major role they have played in influencing and changing modern cinema.

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Trash by any other name smells just as gloriously ripe. Bring on the guilty pleasures. Subgenres: Hitmansploitation, Adrenalinesploitation, Stathamsploitation Jason Statham is a hitman who's injected with a delayed-response poison — "some kind of Chinese synthetic shit" — that'll stop the heart without a constant supply of adrenaline.

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Movies can be made for artistic expression. They can be made to give audiences two hours of mindless escapism. Or, they can be made purely to titillate, push buttons, and shock. Whether it's sex, violence, gross-out gags, or something else altogether, exploitation films mainline their tawdry wares right into your system.

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Often screened in seedy drive ins, or small independent theatres, genre fans would gather to watch some of the trashiest films ever created. Titillating material and artistic content often coexist, as demonstrated by the fact that art films that failed to pass the Hays Code were often shown in the same grindhouses as exploitation films. As such, modern film critics have examined the cultural influences which have effected whether a film is classified as exploitation — noting that if Eyes without a Face had been made in American it would have been viewed as a low budget horror, while if Carnival of Souls had been been in France it would be considered an art film.

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Skip the romantic comedies and watch a series of sexploitation films that feature steamy softcore sex, strange storylines, and compelling cinematography. Girl Slaves of Morgana Le Fay. Two young women in the French countryside are taken to an enchantress in a castle. She offers them immortality for their souls — and a lifetime of torment, should they refuse.

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